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350 West Bowery Street
Akron, OH, 44307
United States
+1 330 252-9220
Official website for EarthQuaker Devices. We build guitar effects by hand in the quaint landlocked city of Akron, Ohio.
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You know Matt’s work from many of your favorite EQD pedals and merch items. Oh, he also has a gig drawing for major and indie comic book publications including Marvel’s Deadpool, Punisher and Iron Age, as well as the Dark Horse Comics Norse Mythology series.
Read MoreWe chat about his incredible journey - both geographical and musical, from playing in high school hardcore bands to the process of developing his solo project, Sinkane, all the while getting scooped up by bands like Caribou, Of Montreal and Yeasayer.
Read MoreSpotlights are loud. We caught up with bassist Sarah Quintero before the band’s performance at Mahall’s in Lakewood, OH, to shine a light on the deluge of distortion and fuzz pedals she uses to saturate the low frequencies which drive the trio’s sludgy shoegaze riffs straight into your skull.
Read More“[Pedals] inspire me to do things differently. It’s such a big part of what I do and how I create,” says Paramore guitarist Taylor York.
We caught up with the guitarist of Nashville pop-punk sensations Paramore to check out the gear he uses to bring to life the band’s stadium-sized hooks stuffed with enough ear candy to make every day feel like Halloween.
Read MoreWhitney Petty, guitarist extraordinaire of Seattle’s Thunderpussy, is the first musician we’ve interviewed whose livelihood has been threatened by the Supreme Court, who counts Pearl Jam’s Mike McCready as a super fan, whose first stint playing was with Deerhunter – not too shabby for a first band – and who not only absolutely shreds on guitar but also kills it on bass and drums...
Read MoreThe brainchild of saxophonist Warren Walker, the Kandinsky Effect creates dark, groove-oriented, downtempo Jazz soundscapes anchored by the steady pulse of bassist Gael Petrina and drummer Caleb Dolister. The trio blends modern Jazz improvisation with electronic textures and beat-driven composition driven in part by Walker’s pioneering use of effects pedals with the saxophone...
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